| Children of the New Earth Magazine,
published in Spring 2004 · VOL. 2, ISSUE 2
MetaMusic: Opening the Learning Door in the ADD Mind
By Barbara Bullard, MA
CHILDREN ARE CONTINUOUSLY bathed in an ocean of music and sound.
Like the air in which it travels, it swirls unnoticed around them
during the course of their day, they seem to carry it with them
in their hearts as they play with their toys and their friends.
They use it at the earliest possible age. They dance to it unabashedly
or talk about what they love (or sometimes hate) about it. They
ask for it as soon as they’re in the car, and it’s a
big part of what makes television interesting to them. Music is
the friend that helps them understand their feelings, express their
joy, find their fire, and feel safe and comforted. Music is the
friend that lulls them to sleep
at the end of a long and full day.
But for many of them,music can be much more than just a friend;
it can help them to awaken their unique brain structures, to coordinate
their brain processing and to learn to study smarter, not harder.Splendid
books by musicologist Don Campbell: Physician for Times to Come
2, Music and Miracles
3, and The Mozart
Effect 4, examine
much of the current research which reveals that music has a powerful
impact on almost every aspect of the body and mind of the listener.
Mass media is well aware of the great import of music on learning.
There is no advertisement, television program, or movie that fails
to embed its message with music.
All of us have had experience of the effect of music on learning.We
learned our ABCs in elementary school by singing them, and we remember
our favorite tunes, as well as the words and images that accompany
them, throughout our lifetime. It is a truism that what goes in
repeatedly with music, comes out with music, even decades on.
Music: the key to superlearning
Why is it, then, that music is so often left out of the modern educational
process? This question has perplexed me for some time. Over the
past 30 years, as both a teacher and a parent, I have been interested
in discovering methods by which students might learn faster and
more efficiently.
Inspired by the techniques of ‘superlearning’ in the
works of Dr George Lozanov.5
and Ostrander and Schroeder,6
which demonstrated the widespread neuronal impact of certain musical
compositions on enhancing memory or peak performance states, led
me over the past twodecades to recommend background music as a key
element in the application of superlearning. My students can attest
to the significant impact of certain music in facilitating super-
learning states, and my research led to the co-authoring of a book,
Communicating from the Inside Out 1.
The specific topic of this article, the use of Metamusic™
compositions that combine the synergy of superlearning musical formats
with Hemi-Sync®, is a more recent adventure of my research,
ought about by the personal challenges of raising two children with
impulsivity and Attention Deficit Disorder (ADD).
At the end of 1990, my two younger children were challenging all
my parenting skills and the patience of their teachers. They were
the type that walked on the classroom tables, talked incessantly
and flitted from project to project. The teachers encouraged me
to try using Ritalin® on them. I figured there must be a less
invasive alternative, and yes, there was! It was to be found in
the Hemi-Sync® technology, to which I was introduced
when I attended the Professional Seminar at The Monroe Institute
in 1989.
For those not familiar with The Monroe Institute, it was founded
by Robert Monroe and is dedicated to researching the impact of Hemi-Sync®
(a patented audio technology which enhances whole-brain capabilities)
and sound on the
brain.7
The insights I gained in that week propelled my own research in
a quantum leap. I was deeply impressed by the work of Micah Sadigh,
M.D. and Skip Atwater, Ph.D. as slide after slide demonstrated the
widespread neuronal effects of Hemi-Sync® on eliciting
desired brainwave patterns in a synchronized manner across the cortex.
This was followed by a remarkable presentation by Dr Suzanne Morris,
an internationally known speech-language therapist who works with
children with developmental disabilities.8
The research of Dr.Morris involved using Metamusic™
with Hemi-Sync® on children with autism and severe
brain damage. I was awed as I watched her video of an autistic child
who could not even bear to be touched, yet within ten minutes of
listening to Metamusic moved towards its source, wrapped her arms
around the tape player and allowed herself to be gently massaged
by Dr Morris while the music played on. To ordinary relaxation music
the child made no response. For me, this was a dramatic image of
the “magical” effects of the designer music titled,
Metamusic™. Meta (more than) music - which it truly
is. “Reports received since 1994 indicate that Metamusic™
embedded with beta Hemi-Sync® patterns may also help
with other learning disabilities, specifically dyslexia and slow
reading development.”
I was intrigued by a discussion of research, led by Robert Sornson,
Ph.D., Executive Director of Special Education Services, Norville
Public Schools, Michigan, that demonstrated an insufficiency of
coordinated hemispheric brainwave pattern, especially with beta
brainwaves in the left hemisphere, for those with ADD.
According to Sornson, who had been working with Hemi-Sync®
using beta-harmonic sound patterns specifically designed to increase
the level of awareness 9,
brain mapping research has indicated that those with ADD have difficulty
maintaining the high levels of brain arousal associated with sustained
alertness and focused attention. (For a more complete discussion
of betadeficiency in the left-hemisphere I refer you to the exceptional
brain mapping research of Dr. Daniel, M.D.)10
The Mozart Effect
After discussions with Dr. Sornson,we conceived the idea of creating
some superlearning music to combine with beta+Hemi-Sync®
patterns. I hoped this would benefit my college students, as well
as my teenagers with their issues with ADD.
During the following two years, Sornson and I collaborated with
The Monroe Institute on incorporating these theories. Music appropriate
for superlearning and peak performance states had to meet many technical
standards and had to be complex enough to incorporate the underlying
beta-Hemi-Sync®.
An enchanting composition was ultimately created by J.S. Epperson,
a graduate of the USC School of Electronic Music. This ‘designer
music’ was titled Remembrance and was launched by
The Monroe Institute in 1994. One of our first test subjects was
my youngest son, then aged 12. Fortunately, regular use of Remembrance
and four other Hemi-Sync® tapes enabled my teenage
son to outgrow his ADD and to avoid taking Ritalin®. He currently
earns a B-plus average and is a senior in college.11
Articles by Dea Davis,MA 12,
and Peter Spiro 13,
contain numerous examples documenting the success of Remembrance,
which in turn led to the creation of a second composition by Epperson
in 1996, a modification of Mozart’s Sonata for two Pianos
in D Major, titled Einstein’s Dream.
Much has been written by Campbell and others about the Mozart
Effect, including that, “Mozart’s musical architecture
evokes a sympathetic response from the brain, the way one vibrating
piano string can set another humming.”14
Hence, the second Metamusic™ sought to incorporate
the Mozart Effect.Two additional Metamusic™ selections
with beta harmonics were introduced in 2002: the aptly-titled Indigo
for Quantum Focus by J.S. Epperson, and Seasons at
Robert’s Mountain by Scott Bucklin. Seasons recreates
the Four Seasons by Vivaldi to take advantage of the positive
effect of Baroque music on superlearning states.
Reports received since 1994 indicate that Metamusic™
embedded with beta Hemi-Sync® patterns may also help
with other learning disabilities, specifically dyslexia and slow
reading development, both of which have as an underlying cause a
disparity of errors in timing between the two hemispheres.
As one researcher reported in The Brain-Mind Bulletin:
“While reading, most good readers have left-hemisphere activity
in the beta range (around 13 Hz) and midrange amplitude. Dyslexics,
on the other hand, tend to have left hemisphere measurements in
alpha (roughly 10 Hz) and higher than average amplitudes, although
some have unusually low amplitude … The cerebellum of dyslexics
has not yet ‘learned’ the co-ordination and timing involved
in internal balance of the body.”15
Stimulating greater retention and recall
What is it about this ‘designer’Metamusic that can be
so helpful to those with ADD and dyslexia? I believe that it is
the whole-brain entrainment that occurs from the synergistic effect
of two whole-brain triggers in combination. Music in general is
the one single input which naturally synchronizes the hemispheres
of the brain.When you combine this with the whole-brain impact of
Hemi-Sync® it seems to help co-ordinate the flow of
beta brainwaves in both hemispheres, the side-to-side effect is
accompanied by a front-to-back stimulation and then a top-down process
integrating the cortex with the limbic brain where our emotions
are triggered.
This cascade of brain stimulation truly facilitates a whole-brain
integration. Any strategies which will enable our children to use
more of their full brain capacities is desirable, since research
has indicated that the ability to switch rapidly between hemispheres
might be hallmarks of higher intelligence. One characteristic of
gifted children is that they have a profound ‘switching’
ability between hemispheres. 16
Remembrance and its companion pieces have all been specifically
designed to enhance this rapid processing partnership so desirable
for learning, for the gifted among us as well as for those with
learning challenges. Moreover, these compositions facilitate the
anchoring of studied information into a wider neuronal pathway.Wider
anchoring should result in greater retention and recall, perhaps
as much as five to ten times greater recall.17
Children's brains are evolving
The widespread impact of music on brain arousal and learning is
important to all generations, but even more relevant to the children
of the new earth who have been diagnosed with ADD, Dyslexia, and
other learning challenges. We have already discussed the disparity
of beta-brainwave patterns in the slower left-hemisphere, which
leads to lack of attention to certain aspects of the environment,
such as reading, writing and mathematics. But what if this is just
a symptom of an evolution in the brains of our youth?
I have speculated for some time that the brains of our youth are
changing from the dominance of the left hemisphere to more whole-brain
and right-brain access. This can have many benefits, as the right
hemisphere works 860 times faster than the more linear left hemisphere,
so one can process certain information rather quickly. However,
the right hemisphere is largely focused on the holistic and non-verbal
information in our environment. The processing style of the right
revolves around a visual and kinesthetic perspective of the A wonderful
aspect of Metamusic™ is that it is another friend
of music which helps open up expanded use of the brain. I invite
you to investigate its use and to add to our research with your
feedback. I believe that between us we will continue to create more
and more synergistic tools to help awaken the multiple capacities
of these children of the new earth. And AWAKEN they will. Let’s
all stay tuned!
References: 1. Bullard, Barbara & Carroll,
Kat. Communicating From The Inside Out. 1995. 2.
Campbell, Don. Music: Physician for Times to Come. 1991. 3.
Campbell, Don. Music and Miracles. 1992. 4. Campbell,
Don. The Mozart Effect. Page 179. 1997. 5. Lozanov,
Ostrander and Schroeder. Superlearning. 1979, Supermemory: The New
Revolution.1993. 7. The Monroe Institute. www.Hemi-SyncTM.com
8. Morris, Suzanne. Ph.D. Opening the Door With
Metamusic™, Hemi-Sync® Journal, Vol
XVI, 1998.www.new-vis.com 9. Kennerly, Richard
Cauley, M.A. An Empirical Investigation Into The Effect of Beta
Frequency Binaural Beat Audio Signals on Four Measures of Human
Memory. Hemi-Sync® Journal, Vol. XIV, 1996. 10.
Amen, Daniel, M.D. Change Your Brain -Change Your Life. 2000. Amen,
Daniel, M.D. Windows Into the ADD Mind. Pages 72-73. 1995. "The
music is especially effective when used in tandem with some other
Hemi-Sync® exercises. My students find Attention, Think
Fast and Retain-Recall-Release especially helpful. Buy the Numbers
is most helpful for facilitating the learning of math. Also very
helpful are the ‘Student PAL’ set. Other Metamusic™
cd’s that I have found particularly helpful in helping young
people over 10 and adults move out of the more challenging aspects
of ADD are Human Plus Brain: Repair and Maintenance and Off-Loading.
These played at night for about six weeks have been most helpful
when combined with the use of Remembrance or the other companion
beta selections during the day." 12. Davis,
Dea, M.A. LMFC, Oh, The Stories I Could Tell, Hemi-Sync®
Journal, Vol XV, 1997. 13. Spiro, Peter. Stories
From The Trenches, Hemi-Sync® Journal, XVII. 14.
Ramo, Joshua Cooper. Newsweek, Oct. 1993.15. Brain-Mind
Bulletin, April 1990. 16. Brain-Mind Bulletin,
March 1991. 17. Hemi-Sync® Journal,
Winter 1991. 18. Silverman, Linda Kreger. Upside-Down
illiance. Deleon Pub., Inc.
ABOUT THE AUTHOR Barbara Bullard has been Professor of Speech
Communications at Orange Coast College for thirty-eight years, and
is currently Chair of the Dept. She has been nominated five times
since the 90’s for Faculty Member of the Year at the college
and received the prestigious NISOD Teaching Excellence award for
Innovation from the University of Texas in 1994, 1999, and 2000.
In 2000 and 2001 Barbara was a Master Presenter at the NISOD Conference
speaking on ‘Music and METAMUSIC in the Classroom.’
She was selected for Who’s Who Among America’s Teachers
in 2002, and has been a professional member of The Monroe Institute
since 1989.Her most important achievement is that she is the proud
mother of three self-described Indigos. The above article is based
on her presentation at the 2002 Monroe Professional Seminar. Barbara
has co-authored a book, Communicating from the Inside Out, (B. Bullard
& K. Carroll, 1995) outlining quantum-learning strategies with
music. For more information on Barbara’s work with quantum
learning strategies visit her web site, www.DNAMusic.com or contact
her at Remembrancemusic@aol.com.
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